Our creative director, Cat How, was interviewed by Katy Cowan for Creative Boom. A few things have changed along the way since this article was published (our business name for example!) but other things never do. Read the full article online here or the transcription below.
Howkapow was the first business Rog and I set up together, and it was sort of like our first child. We ran it more like a creative agency than a shop and were more in love with the art direction and communication than the products themselves.
That said, there were a few gems over the years! After the birth of our actual, real-life second child we decided that it was time for a change in direction.
During our time running Howkapow, we realised we really enjoyed collaborating — and came to see it as the first foray into setting up businesses together. We had a great time and had a superb team, but after seven years we hung up the branded packing tape, copper stickers and addictively-poppable bubble wrap... and sold it.
Our branding and design agency How & How is happening now! It really feels like our true calling. As creative director, it draws on my journalism and arts background; while Rog enjoys marketing and sales from his time working at the BBC and in radio.
As directors (and husband and wife), we're very honest with each other, and we all have our own skills sets and strengths. So there is a lot of respect there. We also collaborate on projects with different designers, illustrators and developers depending on the nature of the work.
Allons-y! Allons-y! Allons-y!Allons-y! Allons-y! Allons-y!
I originally studied English Literature at Bristol University. It was either that or a Fine Arts degree, so I suppose I went for the safe option! I always told myself that I would continue my art alongside it, but the reality was that I sort of lost the routine of drawing and slipped out of the habit. A real loss.
After that, I worked as a journalist for several years before Rog and I moved to Melbourne to do something a little different. Back in the UK, I was an art critic, so it didn’t sit right with me that I was assessing other people’s creative endeavours without doing it myself. As Matisse said, creativity takes courage, so these artists were already being far more courageous than me, so who was I to judge?!
In Melbourne, I retrained in graphic design and started work at a big studio. Rog and I got engaged and the UK started calling us home again. We moved to London where I completed an intense MA in Communication Design at Central Saint Martins – we got bollocked a lot and people cried in tutorials, but it was "character building" and what I learnt there I value immensely.
Rog and I then got hitched, bought a house in Bristol and moved back to the West Country. At the time, there were no suitable jobs there (Rog was working at the BBC doing radio production), as it was just after the recession and things were a bit choppy. So we decided to roll with an idea that had developed when we were in Melbourne, selling stuff we had made at a beautiful market called the Rose Street Artists Market.
One of our friends had suggested we get a stall there. I had been making big bits of jewellery and Rog was taking lots of photographs, so we got a pitch, would rock up every Saturday, polish off a bottle of wine together in the sunshine and sell some stuff.
The idea for Howkapow was to give a platform to the designers whose work we were coming across, but who didn’t have the means of promoting themselves or having their own online shop. Crazy to think of this nowadays but it wasn’t a big thing almost 10 years ago.
We also just wanted to work on something together. For ourselves, not for The Man. So I designed the logo and website, and Rog taught himself some basic coding skills and Howkapow was born.
Probably that selling products has a ceiling in terms of revenue, but that imagination and experience have no limits. We’re also really enjoying not having 'stuff' to worry about. Towards the end of our time at Howkapow we had a vast stockroom of products that started to weigh on my conscience. Lots of money tied up in stuff.
Now, we're generating revenue purely from our experience, and the size of this is proportionate to the strength of our ideas. All we need is a laptop, an espresso and a pastel de nata. It’s a nice feeling.
Yes, I do. I think technology is enabling us to be more free with where we want to be, how we work and what we can do with ourselves. Our team works remotely, and it doesn’t feel the least bit different to when we worked next to each other in our co-working space in Bristol. I’d go so far as to suggest it has even made us a bit more efficient! I think people are beginning to see that tech is allowing the future of work to evolve… and that they can be a part of that.
It depends who is setting it up. As a designer-maker, there are a stack of sites you can use to build your own e-commerce platform, but if you’re wanting to curate your own shop and hand-pick your designers then there is a lot of competition out there now. It can become all about Google ads and SEO, and that’s not even to mention having to compete with behemoths like Amazon.
It was a quick decision. I can remember exactly when it happened – on the TGV going to a design fair in Paris. We had a coffee, looked out the window and said: "Right, let's do something different."
I bought Rog a hand-made print for Christmas the following year at a letterpress studio in Bristol… it was of a train rushing through the water-coloured countryside with a caption that simply read “Allons-y” (let’s go). It captures that moment perfectly.
Did I mention pastel de nata? Ha. Well, why not Lisbon? It is a stunning city and came in fourth in the Startup City Index according to Forbes last year. As well as Lisbon being very international, it's also the same time-zone as the UK and is packed with beautiful architecture, wonderful food, great beaches with excellent surf and over 300 days of sunshine a year. Which helps.
Web Summit is here for the next 10 years and there is a real buzz about the place. As well as that, office and house prices are up to 80% cheaper than in London, there are great art hubs and a giant startup centrality (Hub Creativo Beato) opening soon. I’m also half Portuguese, so we wanted to teach our kids the language and make them feel like proper Europeans, too.
To be perfectly honest, yes. Rog and I both grew up in Europe and went to international schools, so we were sad when Brexit happened. Applying the same philosophy we have in our work, we believe we are better together. We also travel to and work from London various times a month for client meetings. Funnily enough, there are quite a lot of us Brits out here in Lisbon!
It's certainly easier than it was, but it is still more complicated than in the UK. There are big tax advantages (20% flat rate for 10 years!) for foreigners setting up in Lisbon (called Non-Habitual Resident Scheme) so that is a real draw. Things run on a different time-scale here, but once you get your head around it, it’s actually all good.
Um… the work/life balance here is quite incredible, actually. We love Bristol, but it is very different from our reality in Portugal. We’re fortunate to work in the spectacular Second Home Lisboa workspaces just above the Time Out Market in the centre of town in Lisbon.
So we pop down to the working market every week to do our fish and veg shop or have a beer after work in the food market next door. Several times a week we pick up the kids from school, and all go to the local beach for a surf. We’re very happy.
Yes, really well. We have a little event space where we host meet-ups and networking nights too. We branded it all ourselves, and have some lovely coworkers to hang out and eat Penguin bars with.